The Wheel (Thailand)
Hun Lakom Lek is a prosperous and renowned Thai puppeteer, but one day his life ends abruptly, he leaves behind him his famous puppets without an owner. Kru Tong is a Khon performer, masked street performers who use real people to tell their story instead of puppets. Kru Tong knows about Hun puppets and would like to get his hand on these precious puppets even if he’s aware of the curse that these puppets are supposed to carry. Terrible doom will come to anyone who comes in possession of these puppets, but this legend doesn’t scare Kru Tong and decide to get it for his own prosperity.
Going Home (Hong Kong)
A policeman named Wai moves into a new apartment in Hong Kong with his young son called Cheung. The place seem very scary to Cheung, especially the weird neighbors, but this doesn’t seem to bother his father very much. Cheung soon goes missing and Wai suspects the man and his paralyzed wife who live next doors. Taking matters into his own hands, he decides to investigate his neighbors but it doesn’t take long for Wai to understand that the man maybe doesn’t have anything to do with the disappearance of his son but nonetheless he’s a real psycho. Taken as a hostage by the mysterious man, Wai will discover the strange past and also the real intention of that man.
Memories (South Korea)
A taxi driver is having dark visions and nightmares about his disappeared wife. Her family is currently seeking her but nobody has gotten any news from her since a few weeks. Meanwhile the lady in question is struggling in dark deserted streets, to find her way back home, but it seem that she has no memories about who she is and how she manage to end up in the city alone far away from her home.
Thailand, Hong Kong and South Korea teaming up to do a horror movie trilogy, what a brilliant idea. Asian horror is still on its peak and is always pushing the bar further for scaring the hell out of you. Three is not a regular movie but three separated average length movies with no common element between them, except for the theme of horror and spirits. All very well made, the shorts are very interesting for anyone who enjoys the new wave of asian horror movies, who instead of focusing on the gore/blood factor, focus more on the general atmosphere and tension of the movie.
Story wise all the three movies are excellent and manage to put out a story that is interesting all along the way and make you really wonder how it will conclude. The best of the three is without a doubt the Hong Kong story directed by Peter Chan (producer of The Eye) and featuring the cinematography of Christopher Doyle. They really manage to pull out an excellent story with an incredible and beautiful ending. But even if Going Home has the best story, it was also the most confusing, because some details are just not very clear but since the movie is now also available on it’s own in a longer version on DVD, this version is probably more complete. The Wheel from Thailand, set in the old time, is also very interesting but is probably the one that his the closest one to its cultural roots. The traditional puppet theater is something that most norths Americans are not familiar with, which makes it a bit hard for us to fully appreciate. But this aspect doesn’t make the movie any less enjoyable and on the other side it is also a very interesting way to learn about this tradition. As for Memories from South Korea, it was a good short but I think that I had too much expectation for it. Directed by Kim Jee-Woon (Quiet Family, Foul King), Memories starts with a very unclear story and gradually had some key elements to it until it’s big finale. The movie features a lot of interesting elements, especially on the visual side, but the fact that the character motivations are a bit hard to follow, make the movie a bit confusing.
All movies were very well acted and you will recognize a lot of familiar faces in all of them. The most shining performance is from Eric Tsang, in the HK movie Going Home. His performance was simple but so true and natural that makes his character very sympathetic and appreciated. The main kid was also surprisingly good in the movie and really helped to make the atmosphere even scarier. The Korean one, Memories, also featured a good cast but because of the missing development of the characters, it makes them less likable. The main cast consisted of a husband and his wife, but since the spectators spend most of their time thinking about what is going on, it gives less time to think about the intention of the characters. I’m not very familiar yet with movies from Thailand so except the young man from Tears Of The Black Tigers, I don’t remember seeing these actors before but most of them were interesting to follow and had decent acting skill too.
One good thing about Three is that it is not necessary to watch all of them to really understand their story but on the other side it would have been great to have a small or very subtle connection between all of them. But still, Three is a good movie package and even if in the end all three movies are not very scary, it is something that those who like psychological horror can appreciate. It’s still strange that the country producing the best horror movie right now, Japan, was excluded from this production. Maybe next time…
This Panorama movie comes in a very cool 3 DVD package. Each movie has his own DVD, so knowing that you are expecting an incredible transfer, unfortunately no. Each of the transfers, who are all Widescreen LTB, are generally clear but suffer from a lot of artifacts on the print but on the other side, all three movies posses a great DTS audio track. None of the movies features extras except small filmographies of each director. Going Home (Hong Kong) is also available on a separate release with a longer cut.